Press Release: YouTube’s Disgraceful Collusion in a Fraudulent Takedown Conspiracy—An Epic Exposé of Lawlessness, Betrayal, and Our Relentless Fight for Justice

Date: March 25, 2025
Contact: press@arabeem.com

Arabeem TV Network is done groveling at YouTube’s feet. For nearly two blistering years, we’ve been locked in a brutal war against a vicious, calculated, and downright criminal copyright takedown campaign waged by Quoich – Takwene and ART TV Network—two shameless entities who’ve turned YouTube’s platform into their personal fraud factory. But the real gut punch? YouTube—supposed guardian of creators—hasn’t just sat idly by; they’ve aided, abetted, and amplified this lawless nightmare. They’ve trampled U.S. federal law under the Digital Millennium Copyright Act (DMCA), spit on international copyright treaties, ignored felony-level forgery, and crushed our channel under a mountain of baseless lies while letting thieves feast on our stolen work. And now, we’re blowing the lid off a hidden scandal: these same crooks are abusing YouTube’s Content ID tool to plunder Egyptian cinematic and television classics—content from defunct owners—raking in millions while YouTube turns a blind eye. This isn’t a press release—it’s a war cry, a deafening roar of outrage, and a legal sledgehammer smashing through YouTube’s wall of cowardice. We’re taking this public because YouTube’s complicity has shattered every boundary of justice, and we’re here to burn it all down.

The Opening Salvo: A Fraudulent Onslaught in 2023

This saga exploded in October 2023, when Quoich – Takwene and ART TV Network—two shadowy players with zero shame—unleashed a torrent of fraudulent takedown notices under 17 U.S.C. § 512(c), the DMCA’s takedown clause. They didn’t just target a few videos; they went nuclear, obliterating every single video on our channel using YouTube’s Content ID tool like a weapon of mass destruction. We hit back hard, filing counter-notifications under § 512(g)—our legal right—to reclaim what was ours. Their response? A shameless barrage of four so-called “legal” documents, claiming to be lawsuits against us. Three were outright forgeries—crude, laughable fakes that screamed violations of 18 U.S.C. § 1001 (false statements to a federal entity), 18 U.S.C. § 1343 (wire fraud), and California Penal Code § 132 (offering forged evidence). The fourth? A lone authentic document, but it named Sunnyland Film Cyprus—not the original claimants—a glaring red flag of their shell-game deceit, potentially breaching Cyprus’s Fraud Act of 2001 and international law under the Berne Convention.

We didn’t just whimper—we roared. We compiled a fortress of evidence and hurled it at YouTube’s legal, copyright, and support teams (Case [7-5742000035210]):

  • Precise Details of Document Forgery, Misleading Practices, and Translation of Their Lies
  • False Claims, Multi-Account Fraud, and a Sickening Pattern of Deception
  • Oppressive Termination Video—Witness the Injustice in Raw, Frozen Fury
  • Ramifications of Termination and Claimants’ Brazen Copyright Theft

Our legal counsel tore into those docs: three were pure fiction—missing stamps, signatures, court seals, or any shred of legitimacy. The “Arabeem Case” doc, sent by ART TV Network, was real but listed Sunnyland Film Cyprus as plaintiff—proof of their collusion and a dodge to shield the true culprits. We begged YouTube to see the forgery, the fraud, the violation of DMCA § 512(f) (penalties for misrepresentation). Their response? A deafening, gutless silence. They had a legal duty under § 512(c)(3) to investigate bad-faith takedowns—they didn’t even flinch.

2023: Outsmarting the Crooks, Ignored by the Giant

We didn’t roll over. In 2023, we got crafty—working with our legal team to outmaneuver these fraudsters. We switched up the names of legal reps in our counter-notices, sending a different lawyer’s name from our firm each time. It was a chess move that checkmated their forgery machine—making it harder to fake docs and exposing their clumsy lies to YouTube. For a fleeting moment, it worked: the forgers stumbled, and YouTube couldn’t ignore the stench. But did they act? Hell no. They sat on their hands, letting these criminals reload for round two. We kept filing complaints—emails, chats, desperate pleas—pointing to the felony-level fraud under 18 U.S.C. § 1341 (mail fraud via digital means). YouTube’s legal team? Asleep at the wheel.

2024: A Court Triumph—Then YouTube’s Treacherous Backstab

January 2024: we struck gold. A court ruling in our favor against Sunnyland Film Cyprus slammed the gavel on our copyright ownership under 17 U.S.C. § 106, shredding the claimants’ sham claims into confetti. We raced this victory to YouTube, demanding they honor our counter-notices and restore our channel under § 512(g)(2). They dragged their feet—three agonizing months—before finally restoring our videos in April 2024 (Case [6-2234000035581]). We thought we’d won. We were fools.

June 2024: the fraudsters reloaded. Another wave of fake takedowns crashed in. We didn’t counter-notice this time—just lodged complaints, trusting YouTube to do their damn job. They investigated, deemed the notices invalid, and restored our content. A flicker of hope? Nope—just a tease before the storm.

August 2024: Quoich – Takwene came roaring back, swinging forged docs and multi-account scams—textbook violations of DMCA § 512(f) and 18 U.S.C. § 371 (conspiracy to defraud). We tied it all together—October 2023, June 2024, now August—screaming at YouTube to see the pattern, the collusion, the crime. They monitored our counter-notices, spotted the forged docs, rejected them, and restored our videos after the 14-day period under § 512(g)(3). We thought they’d finally enforce the law. We were dead wrong.

October 8, 2024: YouTube dropped the hammer—not on the crooks, but on us. Two emails hit like bombs: one terminating our channel for “fraudulent legal requests”—a grotesque lie twisting § 512(f) against the victim—and another revoking their April restoration, defying our court ruling and § 512(g)(2)’s ironclad mandate.

October 10: 21 more emails rained down, clawing back every counter-notice from April, re-deleting clips tied to ART TV Network—but, tellingly, not Quoich – Takwene. YouTube knew about the forgery ring for a full year—potentially aiding and abetting under 18 U.S.C. § 2—and chose to bury us instead. It’s not negligence; it’s betrayal on a biblical scale.

The Final Outrage: Pirates Plunder While YouTube Watches

Post-termination, ART TV Network and their web of cronies swooped in like vultures, re-uploading ourcopyrighted videos—every frame, every edit, every second we poured our souls into—across multiple channels in a flagrant violation of 17 U.S.C. § 501 (copyright infringement). They didn’t stop there. These shameless thieves ripped off our custom thumbnails—unique designs crafted by our team—stripped our logo like petty vandals, and slapped them onto their stolen uploads. This isn’t just theft; it’s a grotesque assault on our moral rights under the Berne Convention, Article 6bis, and a direct violation of 17 U.S.C. § 1202(b) (removal of copyright management information). We’re talking felony-level piracy, and YouTube? They’re holding the door open for it.

From October 17, 2024, we watched in horror as these crooks—operating under “ART TV Network” and suspected affiliate channels—turned our blood, sweat, and tears into their cash cow. We fired off complaints to YouTube’s copyright team, legal desk, and support chat—dozens of emails, PDFs attached, timestamps logged—begging them to enforce § 512(c)’s safe harbor rules and shut this piracy down. October 8 to December 8, 2024: two months of relentless pleading. Their response? A wall of silence thicker than steel, punctuated by auto-closed cases and zero explanations. Worse, they started spamming us weekly with the same vague removal notification email—word-for-word identical, no updates, no reasons—like a broken robot taunting us while our work gets pillaged. YouTube’s not just failing us; they’re laughing in our face.

The Smoking Gun: Forged Docs and a Web of Lies

Let’s break down the evidence—because this isn’t just a rant; it’s a legal autopsy of their crimes:

  1. Arabeem Case (ART TV Network): The one “real” document, tied to a video like [http://www.youtube.com/watch?v=R-tj6ktVDfI]. It names Sunnyland Film Cyprus as plaintiff—not ART TV Network—proving their collusion. Yet it lists takedowns by Quoich – Takwene, screaming conspiracy under 18 U.S.C. § 371. YouTube confirmed it in 2023, then flip-flopped in 2024, ignoring our court win.
  2. Wanes Case (ART TV Network): A sham lawsuit for a video like [http://www.youtube.com/watch?v=7GDThQ3HeBE]. Two fake pages tacked on—a stamped receipt masquerading as a legal filing—lacking court seals, signatures, or dates. It’s an open-source PDF, editable text and all, violating California Penal Code § 134 (preparing false evidence). They listed every video on our channel—takedown or not—showing reckless malice.
  3. Combinedpdf (6) (Quoich – Takwene): A blatant forgery for a video like [http://www.youtube.com/watch?v=F0mcZGLUhPA], ripped straight from the Arabeem Case. No stamps, no legitimacy—pure fraud under 18 U.S.C. § 1001.
  4. Combinedpdf (Quoich – Takwene): Another fake, cloned from the Wanes Case, equally devoid of legal weight. Forgery squared, handed to YouTube on a silver platter.

These aren’t typos; they’re felonies. ART TV Network claimed ownership in takedowns, but Sunnyland Film Cyprus popped up in court docs—a discrepancy we flagged in 2023. YouTube shrugged until our January 2024 court win forced their hand. April 2024: they verified it, restored our videos. October 2024: they trashed it all, defying § 512(g)(2). Why? Why does ART TV Network use a Cayman Islands address when they’re based in Saudi Arabia—violating 15 U.S.C. § 1125 (false designation of origin)? Why do they email from “mysatgo” instead of “artonline.tv”—a dodge to skirt liability? YouTube knows. They just don’t care.

The Hidden Heist: Content ID Abuse and a Mediamuv-Style Scandal

But wait—there’s more rot in this cesspool. Quoich – Takwene and ART TV Network aren’t just targeting us—they’re looting a cultural graveyard. They’ve hijacked YouTube’s Content ID tool to steal Egyptian old cinematic and television content—classics from studios and owners long gone, their rights orphaned or expired. These crooks inject copyrighted references they don’t own into the system, flipping the monetization switch to “claim” every clip uploaded by anyone—pocketing millions in ad revenue from channels that dare share a frame of this heritage. When that fails, they block the content outright, then re-upload it to their own managed channels—raking in cash from views while the original creators’ ghosts get nothing. This is a Mediamuv-level scandal—a shadowy heist of cultural treasures—hidden from the public, but YouTube knows. They built the tool, they see the claims, they cash the checks. Yet they let these pirates plunder unchecked, violating 17 U.S.C. § 106 (exclusive rights) and 18 U.S.C. § 2319 (criminal copyright infringement). It’s not just fraud—it’s cultural robbery, and YouTube’s the silent partner.

 

YouTube: A Lawless Accomplice in a Criminal Circus

YouTube isn’t a bystander—they’re a co-conspirator. Here’s the rap sheet:

  • Shielding Felons: Quoich – Takwene and ART TV Network forged docs—editable PDFs, fake addresses, no legal backbone—breaching 18 U.S.C. § 1343 (wire fraud) and DMCA § 512(f). Their Content ID abuse? A felony under 18 U.S.C. § 1030 (CFAA system manipulation). YouTube’s refusal to act flouts § 512(m)’s duty to curb abuse and risks aiding/abetting under 18 U.S.C. § 2.
  • Perverting Justice: Terminated us for “fraudulent legal requests” when we filed lawful counter-notices under § 512(g). Our emails asking for clarity? Twisted into takedowns, a smear that could trigger defamation suits under California Civil Code § 44.
  • Trashing the Law: Revoked our court win—illegally under § 512(g)(2)—while letting ART TV Network pirate our work and Egyptian classics, violating 17 U.S.C. § 1202 and § 501. They’ve nullified a judicial ruling—grounds for contempt under 18 U.S.C. § 401.
  • Harboring Pirates: Ignored ART TV Network’s post-termination theft and Content ID heist, flouting § 512(c)’s mandate to remove infringing content. They’re not a safe harbor—they’re a pirate bay.
  • Stonewalling Victims: Two months of silence, auto-closed cases, and robotic emails—breaching their DMCA obligations and basic decency.

Why did YouTube let ART TV Network forge docs, then hand them our content? Why did they terminate us for defending ourselves, not the crooks who abused Content ID with fake accounts—violating 47 U.S.C. § 230(c)(2) (platform misuse)? Why did they ignore our court win, then let thieves profit from us and Egyptian heritage, when 17 U.S.C. § 504(c) demands statutory damages up to $150,000 per willful infringement? They’re not just negligent—they’re complicit, legally and morally bankrupt.

The Broader War: A System Rigged Against Creators and Culture

This isn’t just our fight—it’s a deafening alarm for every creator and every culture on YouTube. The DMCA’s built to protect us—§ 512(g) gives us counter-notice rights, § 512(f) punishes liars. YouTube’s turned it upside down, letting fraudsters run rampant while crushing the innocent and pillaging history. They’ve annulled our counter-notices, shredded our court victory, handed our legacy to thieves, and let Quoich – Takwene and ART TV Network turn Content ID into a cash-grab machine for content they don’t own. It’s a rigged game, a legal travesty, a middle finger to justice and heritage. Every creator’s at risk, and every orphaned work’s a target when YouTube plays judge, jury, and executioner—ignoring laws like the Lanham Act (15 U.S.C. § 1125) for false claims, or the Computer Fraud and Abuse Act (18 U.S.C. § 1030) for system manipulation.

Our Battle Cry: Justice or Bust

We’re not victims—we’re warriors, armed with evidence, law, and righteous fury. We accuse YouTube of willful blindness, legal malpractice, and aiding a criminal syndicate. We demand:

  1. A federal reckoning—FBI, FTC, DOJ—probe Quoich – Takwene and ART TV Network for DMCA fraud, forgery under 18 U.S.C. § 1001, theft under 17 U.S.C. § 501, and Content ID abuse under 18 U.S.C. § 2319.
  2. Our channel restored, our rights under § 106 and Berne Convention Article 6bis upheld, and these parasites banned with § 512(f) penalties—fines up to $10,000 per lie.
  3. YouTube hauled into the light: Why defy the DMCA? Why shield felons? Why break U.S. law—18 U.S.C. § 2, § 1341, § 371—while screwing creators and culture?
  4. Full transparency—release every internal note, every decision, every email on this fiasco and the Egyptian content heist.
  5. Statutory damages—17 U.S.C. § 504(c)—for every stolen upload ART TV Network’s profiting from, ours and Egypt’s, plus punitive action for YouTube’s complicity.

To creators, fans, lawmakers, and the press: this is a five-alarm fire. YouTube’s a lawless empire, and we’re the canary in the coal mine. Dig into our evidence—hours of video, stacks of PDFs, a paper trail of fraud—and expose the Egyptian content scandal YouTube’s buried. Share it. Scream it. Flood YouTube’s inboxes, X feeds, and Congress’s desks. We’re not backing down—not today, not tomorrow, not ever—until justice roars louder than their silence. This is war, and we’re fighting with every legal cannon, every shred of proof, and every ounce of grit we’ve got. Join us. Let’s make YouTube bleed accountability.

 

For inquiries, contact: press@arabeem.com.

critical evidence

Damning evidence unearths the shocking depths of legal atrocities, exposing a web of corruption that demands justice

PDF File: Analysis of Forgery in Documents Submitted by Quoich – Takwene and ART TV Network

2023
Cases
Claimants Documents
False Takedowns
All EVIDENCE

The Extortion Email from ART TV Network – A Blatant Blackmail Attempt Enabled by YouTube’s Negligence

ART TV Network’s Extortion Plot: A 24-Hour Ultimatum to Surrender Our Rights
 
Among the mountain of evidence exposing the criminal tactics of ART TV Network and Quoich – Takwene, one piece stands out as a chilling testament to their predatory behavior—and YouTube’s complicity in enabling it. On October 19, 2023, after YouTube’s repeated failure to address the fraudulent takedown notices and forged documents, ART TV Network saw an opportunity to strike. They sent us a menacing email from socialmedia@art-tv.com.jo to our address at copyright@arabeem.com, ,” with a subject line that read “Re: Clarification!” The email wasn’t a request—it was a demand, a textbook case of extortion that violated 18 U.S.C. § 875 (extortion via interstate communications) and California Penal Code § 518 (extortion by threat).
 
In this email, ART TV Network demanded that we allow them to use our protected works—our creative legacy, safeguarded under 17 U.S.C. § 106 (exclusive rights of copyright owners)—in exchange for withdrawing their baseless copyright takedown notices. They gave us a 24-hour ultimatum to comply,The audacity of their lies is staggering—especially given their documented history of forging legal documents, a felony under 18 U.S.C. § 1001 (false statements to a federal entity).
 
This email is the only piece of correspondence we were able to preserve as a PDF and screenshot—a critical piece of evidence we’re presenting here. ART TV Network deliberately sent their emails as “confidential,” using a system that automatically locks and deletes the messages two days after they’re sent, ensuring their threats vanish without a trace. This calculated move to erase evidence of their extortion attempts could violate 18 U.S.C. § 1519 (destruction of evidence in a federal investigation) and California Penal Code § 135 (destroying or concealing evidence). Their use of self-destructing emails wasn’t just a precaution—it was a deliberate attempt to cover their tracks, knowing full well the criminal nature of their actions. A snapshot of their blackmail scheme that YouTube’s negligence allowed to fester.
 
This wasn’t a negotiation; it was blackmail, pure and simple. ART TV Network exploited YouTube’s inaction, knowing we were left defenseless after the platform ignored our pleas for justice. YouTube’s failure to enforce DMCA § 512(f) (penalties for misrepresentation) against these fraudsters turned us into sitting ducks, ripe for extortion. We refused to bow to their threats, but the damage was done: YouTube’s negligence had emboldened ART TV Network to escalate their criminal tactics, adding extortion to their rap sheet of forgery, fraud, and theft. This email is a smoking gun—not just of ART TV Network’s lawlessness, but of YouTube’s shameful role in enabling it. 

Quoich – Takwene’s Relentless Abuse of Content ID – A Tragic Farce Enabled by YouTube’s Negligence

 

In a series of Five emails, Quoich – Takwene has exposed the depths of their brazen exploitation of YouTube’s Content ID system, revealing a tragic farce that underscores the platform’s failure to protect legitimate creators. It began with their first email, where they falsely claimed copyright ownership over a video—a TV series episode wholly owned by our company under 17 U.S.C. § 106—demanding monetization rights in their favor. As the rightful copyright holders, we disputed the claim using YouTube’s tools, and the claim was lifted, as confirmed in a second email, affirming the baseless nature of their demand.

Yet, Quoich – Takwene persisted in their relentless assault. They manually re-submitted the same claim on the same video, this time alleging audio-visual copyright ownership—a direct violation of YouTube’s Content ID policies, which explicitly prohibit re-submitting a claim on a video after a successful dispute and release (YouTube Copyright Management Tools Policy, Section 4.2). We disputed this claim again, and after Quoich – Takwene attempted to reject our dispute and issue a takedown notice, YouTube’s system rejected their notice. A fourth email confirmed the claim was lifted once more, offering a fleeting moment of relief.

But the ordeal was far from over. In a move that epitomizes the cruel absurdity of this saga, Quoich – Takwene filed yet another claim on the same video, this time alleging ownership of the audio only—despite the video being a TV episode we legally own. This repetitive, bad-faith abuse of Content ID not only undermines the integrity of YouTube’s system but also violates the Digital Millennium Copyright Act (DMCA) under 17 U.S.C. § 512(f), which imposes penalties for knowingly false copyright claims. YouTube’s own policies state that “repeatedly submitting claims that are later released after a dispute” constitutes abuse of the Content ID system, warranting penalties such as account suspension (YouTube Copyright Policy, Section 5.1). Yet, YouTube remains a passive bystander, allowing Quoich – Takwene to exploit Content ID with impunity, while we, the rightful owners, are left to endure this endless cycle of harassment and injustice.

The depths of their misconduct extend beyond Content ID abuse to their egregious misuse of takedown notices. In several instances, Quoich – Takwene submitted takedown notices against our videos, falsely claiming copyright infringement. In a shocking display of bad faith, they listed the title of our own video—alongside its unique YouTube Video ID (e.g., youtube.com/watch?v=[Video_ID])—as the supposed title of the protected work we allegedly infringed upon. In other cases, they went so far as to include the phrase “Takedown” alongside our video’s title, presenting it as the name of the copyrighted work. This is not only a blatant fabrication but a clear violation of the DMCA’s requirement for takedown notices to accurately identify the copyrighted work (17 U.S.C. § 512(c)(3)(A)(ii)). Such actions constitute perjury under the DMCA, as submitters must swear under penalty of perjury that they have a good-faith belief in their claim (17 U.S.C. § 512(c)(3)(A)(vi)). Quoich – Takwene’s tactics reveal a deliberate intent to harass and intimidate, exploiting YouTube’s systems to undermine our rights as legitimate creators.

Quoich – Takwene has turned YouTube’s Content ID and takedown systems into a circus of fraud, gleefullyparading their mockery by filing baseless claims and laughably fraudulent notices that slap YouTube in the face—daring to list our own video titles, unique Video IDs, and even the phrase ‘Takedown’ as the so-called‘protected work’—a scathing insult that paints YouTube as a hapless bystander, its once-proud platform reducedto a playground for charlatans, while creators like us bear the brunt of this humiliating farce, demanding areckoning to salvage what remains of YouTube’s tattered credibility.
 

YouTube’s Persistent Negligence and Suspicious Collusion – A Pattern of Deceptive Tactics from 2023 to 2025

YouTube’s Deceptive Maneuver: Twisting Counter-Notifications into False Accusations to Protect Fraudulent Claimants

A glaring piece of evidence in this saga is YouTube’s consistent and deliberate negligence in addressing our complaints and reviewing the fraudulent documents submitted by ART TV Network and Quoich – Takwene—a pattern that spans from 2023 to the present day in 2025. In 2023, we submitted detailed evidence of forged legal documents, including PDFs and screenshots, proving that the takedown notices were baseless and violated DMCA § 512(f) (penalties for misrepresentation). YouTube failed to conduct a proper review, allowing the fraud to continue unchecked. In 2024, even after a court ruling in our favor confirmed our copyright ownership under 17 U.S.C. § 106, YouTube reversed their initial restoration of our videos without explanation, ignoring the judicial decision and flouting § 512(g)(2)’s mandate to reinstate content after a valid counter-notice.

Now, in 2025, as we fight to recover our terminated channel and reach out to YouTube for answers, their responses reveal a sinister tactic designed to protect the fraudulent claimants at our expense. YouTube has deliberately twisted the narrative, treating our lawful counter-notifications—filed under DMCA § 512(g) to defend our rights—as if they were takedown notices. They then falsely accused us of submitting “abusive legal requests,” claiming in their cryptic replies: “I took a look at the channel and confirmed that your account has been suspended for submitting abusive legal requests and will not be reinstated. I’m sorry I don’t have better news here.” This accusation is a blatant lie, a fabricated charge meant to justify the closure of our channel for the benefit of ART TV Network and Quoich – Takwene—the real abusers who’ve been forging documents and extorting us since 2023.

When we pressed for clarification—demanding to know how our counter-notifications, a right guaranteed under DMCA § 512(g), could be misconstrued as “abusive” takedown notices—we were met with absolute silence. Support cases opened with their team, including [Case ID 6-5689000038263], [Case ID 2-3788000038033], 6-8285000037058 , 4-6984000037540 , 4-1277000036928 , [0-1633000037486 and [Case ID 4933000037045], were closed with chilling ambiguity, without reason, without response, and without any attempt to address our legitimate concerns. This isn’t just negligence; it’s a calculated deception. YouTube has weaponized a false narrative to frame us as the villains, while shielding the true criminals—ART TV Network and Quoich – Takwene—who are guilty of forgery under 18 U.S.C. § 1001, fraud under 18 U.S.C. § 1343, and extortion under 18 U.S.C. § 875.

YouTube’s actions violate their own obligations under DMCA § 512(c)(3) to investigate bad-faith takedowns and § 512(m) to curb abuse of their systems. By mischaracterizing our counter-notifications as takedown notices, they’ve not only breached the DMCA but also engaged in defamation under California Civil Code § 44, falsely accusing us of misconduct to justify their collusion with the claimants. More alarmingly, their stonewalling and fabricated charges could constitute obstruction of justice under 18 U.S.C. § 1503, as they hinder our ability to seek redress and recover our stolen rights. This pattern of deception from 2023 to 2025, coupled with the ambiguous closure of cases like [Case ID 6-5689000038263], [Case ID 2-3788000038033], 6-8285000037058 , 4-6984000037540 , 4-1277000036928 , [0-1633000037486 and [Case ID 4933000037045], is undeniable proof that YouTube isn’t just negligent—they’re actively colluding with fraudsters to bury the truth and protect the guilty.

 

A Deep-Rooted Fraudulent Network Exploiting Content ID to Plunder Egyptian Cinematic Heritage

 

This crisis is not a recent development—it’s the culmination of a deep-rooted fraudulent network that has weaponized YouTube’s Content ID tool for its own selfish gains, orchestrating a systematic theft of Egypt’s cinematic heritage. This network, driven by accounts like Arab Reach Media – Sa7i and QMG Affiliate , has colluded with ART TV Network to inject Content ID with references and assets they have no legal rights to, blatantly violating YouTube’s service policies and copyright laws under 17 U.S.C. § 106. These actions not only undermine the integrity of Content ID but also enable the wholesale plunder of our cultural legacy, redirecting profits to their own coffers. Meanwhile, YouTube stands idly by, as if their employees are paid to nitpick thumbnails rather than protect their systems from systematic abuse, safeguard creators from phishing and harassment, or enforce even the most basic legal and policy standards. Together with the two accounts we previously exposed, these four entities—along with dozens of channels they manage—form a sprawling criminal network, and there’s strong reason to suspect they have insiders within YouTube working in their favor, shielding their illicit operations from scrutiny.

 

A Heinous Conspiracy of Theft by Arab Reach Media – Sa7i and Quoich – Takwene

 

This evidence, ripped straight from a formal complaint we submitted to YouTube, sets ablaze a raging inferno of fury, exposing the heinous conspiracy between Arab Reach Media – Sa7i and Quoich – Takwene—a vile, coordinated plot to pillage Egypt’s cinematic heritage using YouTube’s Content ID system as their blood-soaked dagger. This isn’t a glitch; it’s a calculated, systematic campaign of cultural theft, documented across multiple videos, including those at: https://www.youtube.com/watch?v=_A90OVqQtSM, https://www.youtube.com/watch?v=9Pkx6hzjZ4c, and https://www.youtube.com/watch?v=bJAlIeJ2AMc.

The assault begins with these shameless vultures injecting our copyrighted content—material we legally own under 17 U.S.C. § 106, a right cemented by our January 2024 court victory against Sunnyland Film Cyprus—into the Content ID system. Arab Reach Media – Sa7i launched the first strike, slapping a block policy on one of our videos, choking its accessibility. We fought back with fire, filing a copyright dispute against Arab Reach Media – Sa7i and escalating to an appeal due to the block policy. YouTube’s rules demand a response within 7 days, but Arab Reach Media – Sa7i, trembling in the shadow of their own guilt, hid like cowards, letting the time frame expire until the claim was released. Their silence isn’t ignorance—it’s a gutless retreat, a direct result of their putrid history of fraudulent claims against us, claims so baseless they often escalated to takedown notices, only for us to reclaim our videos through counter-notifications. They know they’re doomed, especially after our court ruling against Sunnyland Film Cyprus—a legal sledgehammer that shattered their network’s lies and proved our ownership beyond doubt. With justice closing in like a noose, they now cower, refusing to engage with disputes, letting the 7-day period lapse in a desperate bid to delay their inevitable downfall.

But the nightmare didn’t end. Within hours of the claim’s release, the same fraudulent claim reared its ugly head again, this time from Quoich – Takwene, now with a monetization policy attached—a sickening handoff that screams collusion louder than a siren. We were forced to file another copyright dispute with Quoich – Takwene, but with no option to escalate to an appeal since it wasn’t a block policy, the resolution period stretched to a torturous 30 days. During this dispute, Quoich – Takwene twisted the knife deeper, changing the policy from monetization to block—a cruel, calculated move that acknowledged our dispute but ensured the video stayed buried, prolonging our agony while they siphoned off profits from our stolen work. This tag-team of thieves—Arab Reach Media – Sa7i passing the baton to Quoich – Takwene within hours—exposes a conspiracy so vile it could only be born from the darkest pits of greed, designed to bleed legitimate creators dry while they gorge on the spoils of Egypt’s cultural heritage.

 

Arab Reach Media – Sa7i’s depravity reached new lows when we threatened to expose their crimes in a community post on YouTube Studio. Terrified, they scrambled to erase their digital footprints, shutting down their official websites, armadco.com and sa7i.com, after our legal counsel prepared to deliver a mountain of evidence to the Saudi authorities tasked with investigating fraud and corruption—a fitting reckoning for a Saudi entity that’s been hiding behind a veil of legitimacy. Arab Reach Media – Sa7i, the operators of the ( Sa7i صاحي ) football channel with over 3 million subscribers, last active in 2022, likely gained access to Content ID to protect their sports content. But their ravenous greed turned their eyes to a far juicier prize: the Egyptian cinematic heritage, a glittering vault of classic content, ripe for plundering to the tune of millions of dollars. Why toil with integrity when they could wield Content ID like a nuclear warhead, partnering with Quoich – Takwene and others in their network to inject the system with references and assets they don’t own, raking in blood money that honest work could never dream of yielding?

This cultural genocide violates YouTube’s Content ID policies, which explicitly prohibit the misuse of the system for fraudulent claims (YouTube Copyright Policy, Section 5.1), as well as the Digital Millennium Copyright Act (DMCA) under 17 U.S.C. § 512(f), which demands severe penalties for knowingly false copyright claims—penalties these thieves should be choking on. Yet YouTube stands as a complicit accomplice, its inaction a searing betrayal of the creators it claims to champion. The fraudulent references and assets remain embedded in the Content ID system even after disputes are resolved in our favor, handing these criminals an unchecked weapon to continue their rampage. While Arab Reach Media – Sa7i and Quoich – Takwene feast on the millions siphoned from advertisers’ money—money that should be ours—YouTube watches with a smirk, holding the door wide open for this piracy to flourish. They’ve turned a blind eye to felony-level theft, spitting on U.S. law under 18 U.S.C. § 371 (conspiracy to defraud) and international treaties like the Berne Convention, leaving legitimate creators like us to fight a losing battle against a coordinated network of vultures hellbent on erasing Egypt’s artistic and cinematic legacy. 

Screenshot taken on: Sun, 03 Sep 2023. This screenshot shows that an appeal was made on the same day that we uploaded a video to YouTube on 21 April 2023. The date information is correct.

However, the 21 April appeal was made against a claim by QMG Affiliate, who then rejected it using the Content ID tool. This led to the video being taken down, but it was later restored after a counter notification was filed.

We included this video as part of our complaint to YouTube in Case No. [4-6356000034394], and they took strict action by banning the use of the Content ID tool from QMG Affiliate account for misuse.

To our surprise, on 02 Sep 2023, we received the same exact claim again, but this time the claimant was Arab Reach Media – Sa7i. When we appealed the claims, we were surprised once again that the system in revenue analytics of the video still recognized that it was the exact old claim and the YouTube system handled it as if the appeal we sent was on 21 April 2023, but the real second appeal date on Arab Reach Media – Sa7i was on 03 Sep 2023.

That means that the system knows that this is the same exact asset and reference and the claim itself once again. However, a YouTube team member failed to understand this and failed to believe that those accounts are operated by the same group to pirate on our company owned materials.

#2 YouTube video IDs: [MYj076otGTU]

#2 The conformity and repetition of claims have that been observed.

 

#3 YouTube video IDs: [MYj076otGTU]

#3 The conformity and repetition of claims have that been observed.

 

Two of the videos, which are audio-visual material of theatrical assets with the identifiers (OnNmH2uMF9M) and (vi9fJzYgRcc) , the Arab Reach Media – Sa7i account claimed ownership by also misusing the ContentID tool, which forced us to take YouTube action for the dispute, and the matter eventually reached counter-notifications, The fraudulent claimant can not and will not respond to it because the claimant cannot file a case against the real copyrights owners “we.”

Thousands of Egyptian cinematic, television and theatrical works are being claimed for ownership, given that the production companies that own them no longer exist, making these materials easy prey to achieve huge financial returns.

Closing Statement: A Damning Indictment of a Sprawling Fraud Network and YouTube’s Disgraceful Silence

In short, this fraudulent network has metastasized into a monstrous hydra, its tentacles spreading and multiplying the moment it gained access to the Content ID tool—a magic wand that turned their thieving dreams into a nightmarish reality, growing day by day as they spawn hundreds of channels, embezzling every scrap of vintage cinematic content they can claw at, slicing a single hour-long film into a hundred bite-sized clips to maximize their plunder; a simple investigation into these channels, all operated under the aliases listed in this fraudulent network, will reveal a chilling truth—they operate from foreign lands far from the homeland of the works they steal, using a web of multiple countries, fake addresses, forged documents, and shuttered scam sites, yet they are united in their singular, vile mission: to rob Egypt blind, to pillage its cinematic and television heritage, transforming from a single channel into hundreds of accounts wielding Content ID as their sorcerer’s tool to fulfill their greed on the blood of an entire stolen legacy—while YouTube, the supposed guardian of creators, stands as a mute spectator to this cultural genocide, leaving us to scream into the void: where is YouTube in this travesty?

Update: YouTube’s Defiant Collusion – A Blatant Cover-Up and Retribution Against Justice

In a shocking display of defiance and complicity, YouTube has doubled down on their refusal to investigate the rampant fraud, forgery, and extortion perpetrated by ART TV Network, Quoich – Takwene, and their sprawling network of thieves. On March 26, 2025, after we issued a scathing warning—threatening to escalate our Press Release across social media, major press outlets, and an advertising campaign to expose their negligence—YouTube’s Angela from the Partner Support team responded with what seemed like a glimmer of hope. She acknowledged the “gravity of the allegations” we raised, admitted that YouTube had “fallen short” of our expectations, and promised to transfer our case [7-7589000038790] to specialists for further assistance, with an update within 24-48 hours. For a fleeting moment, we dared to believe that justice might prevail—that YouTube would finally confront the cesspool of piracy festering under their watch.

But that hope was swiftly crushed. On April 1, 2025, Brandon, a so-called “Manager of the YouTube Support Experience team,” responded with a message so dripping with arrogance and contempt that it could only be described as a slap in the face to every creator who has ever trusted YouTube’s hollow promises. In a stunning act of retribution, Brandon accused us of communicating in an “unproductive manner,” claimed there was “nothing else” they could do, and confirmed that our account had been terminated under thread [6-1925000037188] for allegedly submitting “abusive legal requests”—the same baseless accusation they’ve clung to without a shred of evidence or explanation. To add insult to injury, they banned us from contacting their support team for 30 days, effective immediately, and threatened a permanent block if we “persist with this behavior.” This isn’t just a refusal to investigate—it’s a deliberate cover-up, a calculated move to silence us and shield the fraudsters who’ve turned YouTube into their personal playground of plunder.

Let’s delve into the murky depths of case [6-1925000037188], which YouTube so casually cited as justification for their draconian actions. On October 31, 2024, Emman from the YouTube Support Experience team responded to our pleas, promising a thorough investigation by transferring the case to a specialist with “deeper copyright expertise.” They assured us that their internal teams would investigate and resolve the matter, raising our hopes that YouTube might finally address the fraud we’ve been screaming about. But just four days later, on November 4, 2024, Emman returned with a chilling update: our account had been terminated for “submitting abusive legal requests,” and the decision was “final and complete.” No evidence, no explanation, no transparency—just a vague, hollow accusation designed to bury our cries for justice. This case, which YouTube clings to as their shield, is a sham, a shadowy void devoid of details or accountability, further proof of their insidious tactics to suppress creators while protecting pirates.

YouTube’s 30-day communication ban is nothing short of a tyrannical attempt to muzzle us, a desperate bid to sever any channel through which we might demand justice or expose their complicity. By blocking our ability to communicate, they aim to erase any record of our pleas, shielding themselves from accountability while the fraudsters they protect continue to feast on stolen heritage. This is a textbook tactic of suppression, a glaring admission of their fear—if they had nothing to hide, why resort to such draconian measures? The ban, coupled with the opaque farce of case [6-1925000037188], only deepens our suspicion of interference, suggesting that someone, somewhere, is pulling strings to bury the truth and protect ART TV Network and Quoich – Takwene at all costs. But YouTube’s arrogance has backfired, for this ban and their shadowy case are weapons we will wield against them. Their actions violate the Digital Millennium Copyright Act under 17 U.S.C. § 512(g)(2), which guarantees our right to due process—a right YouTube has trampled by terminating our account, banning communication, and hiding behind a case with no substance or transparency. They’ve also breached 17 U.S.C. § 512(f), which penalizes platforms for failing to provide clear evidence when issuing penalties for alleged copyright violations, as their vague “abusive legal requests” claim lacks any substantiation. Their actions further breach their own Terms of Service, which promise open channels for creators to seek support and demand transparency, exposing their hypocrisy as they hide behind their own rules to gag us. Worse still, this ban and their refusal to provide clarity could be seen as part of a broader conspiracy to defraud under 18 U.S.C. § 1346, the honest services fraud statute, as YouTube deprives us of the support and transparency we’re entitled to while shielding the very criminals we’ve exposed. Let’s be clear: YouTube’s actions reek of interference. The sudden shift from Angela’s acknowledgment of their failure to Brandon’s draconian punishment, combined with the murky history of case [6-1925000037188], suggests that someone, somewhere, pulled strings to halt any investigation into ART TV Network and their ilk. By slapping us with the same unfounded “abusive legal requests” label—without justification or transparency—they’ve exposed their true colors: a platform more interested in protecting pirates than supporting the creators who built their empire. This is not incompetence; this is collusion, a blatant attempt to bury the truth and punish those who dare to demand justice. But we will not be silenced. YouTube may think they can intimidate us into submission, but they’ve only fanned the flames of our resolve. The world will know of their complicity, and the inferno of truth we hold will burn brighter than ever—mark our words, this is far from over.

2 Responses

  2. I’m genuinely shocked, what is the connection between ART or any of these entities mentioned in press release and Egyptian cinematic heritage? Aren’t they Saudi and jordanian? Ooooh wait, i get it. It is because Egyptian cinema has always been superior😒, and these countries could never reach 10% of its historical success. they don’t even have films or series of their own worth mentioning.. That is why they are so greedy for Egypt achievments. They feel like they own Egypt because they have a lot of money, they thought they can buy anything. What A SHAME. 😡 YouTube must investgate with the Arabian Employee that i feel within myself that who protect those people are Saudis 🥵

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